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A cool man en francais

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Discover the man behind the legend. With full access to the Miles Davis Estate, the film features never-before-seen footage, including studio outtakes from his recording sessions, rare photos and new interviews.

It's the first thing in my life, go to bed thinking about it and wake up thinking about it. Especially the white people from around there -- really country and racist to the bone. And so, his wealth, his father's wealth, would not have protected him from segregation and racism in a place like East St. Bonner: He would hear his mother and father just talking and fussin'. And so I guess this is what got in his mind as a young boy. He got so mad with her, he punched her, he knocked a couple of teeth right out of her mouth.

Petty: Miles was considered a genius, but he was also considered, I guess, weird. Miles would go out into the woods, listening to the animals or listening to the birds, and play what he was hearing. Miles is young and small and can barely fill the suit that he had to wear for these gigs. Cawthra: While the other guys in Eddie Randle's band were working their day jobs, this teenager, Miles Davis, quickly becomes the musical director for this popular dance band.

I mean you've got the laboratory, the future of modern jazz right there in this big band. I decided right then and there I had to be in New York on 52nd Street where the action was.

War years always bring on new fads and tastes, and the strangest taste around is the excitement generated by the musical noise called Jazz. This strange music has been accused of everything including the bad weather and the present decay in morality. Cobb: Each little place has a speaker outside where you can hear what's going on inside. Morgenstern: But you could stand outside and, you know, and hear the music until a doorman -- the clubs had doormen, they would chase you away.

Miles: A lot of the old guys thought that, if you went to school, it would make you play like you were white. If you learned something from theory, you would lose the feeling in your playing. Griffin: And yet he knows that there's something else going on that is not happening at Juilliard. Cobb: So he was to go at Juilliard in the daytime, and at night, he'd go, he'd be on 52nd Street.

Then, one night, I heard this voice from behind me say, 'Hey, Miles, I heard you been looking for me. You can compare bebop to the Manhattan Project, and it was developed by some serious sound physicists blowing their brains out to push this music as far as they could. It was a music by black musicians who wanted to get away from any kind of hint of minstrelsy. Jones: No smiling and laughing and -- and grinning and dancing and [bleep] No entertaining, man.

They wanted to be an artist just like Stravinsky, just like Stravinsky, who was just a pure artist. Griffin: I mean it seems almost impossible what he would have been trying to do at that age. There's the kind of time required of anyone who's a serious student at Juilliard, but then there's also the kind of time and commitment that this music will take, and at some point, something has to give.

It was sexual, sensuous -- everything -- power -- everything -- humor, and then he could not share that. Shorter: One day, the teacher said the blues grew out of the downtrodden sufferings of the slaves, of slavery, and the -- the crying and wailing and all that, that this became the blues of the people in chains,' and all that, and Miles in back of the room somewhere, and he raised his hand while she was talking. Kahn: Miles, within months, is hanging with Bird, is recording with Bird, he really arrives, like, right away.

Tate: Every night, you know,he'd get on the stand with Bird, Bird would play the head of the tune and just leave him on stage by himself. He said he threw up every night because he was just so stressed out and humiliated. We heard sound in the same way Kahn: By the end of the '40s, they're working on a project together -- it's called 'Birth of the Cool.

Tate: I think the intentionwas to create a listening music, a concert music that very deliberately did not have the drive and the funk of 52nd Street on it. Griffin: She brings him into a circle of other artists, of intellectuals, of philosophers, of, you know, the sort of greatest minds of that time. Tate: Jazz was really seen as the height of artistry at that time inside of French intellectual and creative circles.

Griffin: Paris for Miles is a kind of opening up of possibility and of potential, this sense that one can be fully oneself beyond the boundaries of race.

That it isn't something to hold you back, and in fact, it might be something that contributes to your ability to ascend. Miles: Paris was where Iunderstood that all white people weren't the same, that some weren't prejudiced and others were. You see your country as you knew it but in an even starker light because you've experienced something different.

Miles: It was hard for me to come back to the bull[bleep] white people put a black person through in this country. I lost my sense of discipline, lost my sense of control over my life and started to drift. Before I knew it, I had a heroin habit, which meant getting and shooting heroin all the time, all day and all night.

There's no expectation that Miles is going to survive let alone is he -- is he really going to be a successful musician again?

And his father came from East St. Louis and came to the club and took him off the stage and left his horn and everything. On the way home, I told himthat I was going to give up dope and that all I needed was a little rest. Before I knew it, I was shooting up again and borrowing money from my father to support my habit.

He might even have on clothes that looked like If someone could have guaranteedthat I would die in two seconds, then I would have taken it. This young white guy had started a new jazz label called Prestige, and he was looking for me to make a record for him. King Jr: We, the negro citizens, had it not to rise America contest Man: Emmett Till was taken by Man: The amazing new Motoramic Chevrolet.

Man: This afternoon, Disneyland, the world's most fabulous theme kingdom. So if he had that opportunity, as he had at Newport, he was going for it and with a vengeance. Because the beauty of that songand the beauty of Miles' trumpet made bebop a music that could be accepted by everybody.

You know, it's easy to hide with a bunch of notes all over the place and, 'Look what I can do. I've seen him play like one note, and some of these high rollers that came to the club, these high rollers would come out and say -- he'd hit one note, they'd say, 'That did it for me.

Miles: In February or March , I had to have a non-cancerous growth on my larynx removed. Sandra: At that time, nobody knew that Miles had had an operation and that his voice had suffered from it. He came out on the stage and began to announce, in that gravelly voice, what he was going to play for that evening. And I think he got two or three sentences out, and the audience, a large number of them, began to laugh at him. And Miles turned around, and he looked at the audience, he had this very strange look on his face, and he left.

I can't be concerned with talking and bull[bleep] while I'm playing because the music is talkingto them when everything's right. I told him that I wanted to go with Columbia because of all the [bleep] that he offered me. Kahn: George Avakian says, 'Here's a list of demands that I would like you to meet -- you got to be clean, you got to have a consistent band. I'm just going to let the music live, let it breathe, and let it develop as we feel it. It was the introduction to so many different people that I met at that time in the show business world.

Well, as a dancer, I meanI was spectacular on that stage, and I guess they just wanted to find out more about me. On my way to rehearsal one day,Miles is coming down the street, and we looked at each other,and he looked at me and he said, 'Now that I found you, I'll never let you go. She was the most inspirational person he had partnered with, the one he was with the longest. She was someone who gave him stability and love at a time when he produced some of his most groundbreaking and popular work.

He wanted also to make different cinema and change the way of doing films, like having real people in a real setting. Kahn: And he approached Miles with the idea, would you be willing to create a jazz soundtrack? A lot of people, you know, they heard the record first, and they wanted to see the movie second. He just came in with little notes that he had, he didn't even have sheet music for that. And the only thing he'd tell me was like, 'Just swing,' you know?

It was just swing. Miles: I didn't write out the music for 'Kind of Blue,' but brought in sketches because I wanted a lot of spontaneity in the playing.

I knew that, if you've got some great musicians, they will deal with the situation and play beyond what is there and above where they think they can. Cobb: The first part of 'So What' If Miles thought that that was gonna be like that, he would have asked for the building, and he would've asked for two Ferraris outside right now. If he thought anything like that was happening, he would have went off on 'em. Going with Columbia did mean more money, but what's wrong with getting paid for what you do and getting paid well?

Mtume: When the new Miles album came out, man, you know, we would walk around with the album, man. But I was playing the [bleep] out of my horn and had a great group, so I didn't get recognition based only on a rebel image. It was very different from anything that was projected on television or in movies at that time. Man, it was something, people stopping and looking with their mouths hanging open.

Miles and Frances on fire. But others would just walk in the ring and stand there and hold the cape, and the bull would charge,and the audience would just gasp their breath. And if you was on his wrong side, that's probably where you stayed, [Chuckles] you know.

That was the way I protected myself, by not letting anyone inside of my feelings and emotions. Davis, my name is Archie Shepp, and I -- I wonder if you'd let me sit in. But, oftentimes, those insecurities and those demons are the very things that are the basis of their arts, so that art becomes a way of healing. It gave him an opportunity to show a vulnerability and to show a side of him that, in the real world, he could not show.

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Many modern French slang words come from other words having been inverted. This is an easy one to slip into conversation without sounding too forced. This can be used in numerous ways, but it certainly is not a pleasant word.

Discover the man behind the legend. With full access to the Miles Davis Estate, the film features never-before-seen footage, including studio outtakes from his recording sessions, rare photos and new interviews. It's the first thing in my life, go to bed thinking about it and wake up thinking about it.

Thomas Paine. Human rights originate in Nature, thus, rights cannot be granted via political charter, because that implies that rights are legally revocable, hence, would be privileges. Common Sense was published anonymously on January 10, , at the beginning of the American Revolution, and became an immediate sensation. Written in clear and persuasive prose, Thomas Paine marshaled moral and political arguments to encourage common people in the Colonies to fight for egalitarian government. Common Sense made public a persuasive and impassioned case for independence, which before the pamphlet had not yet been given serious intellectual consideration.

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The best way here is to mix your everyday clothes with the sporty pieces - the combination is what makes it exciting. Prints too, will stay on trend in the coming season. However, you will need some skill to do so: The best way is to stay within one colour family when combining, that way the end result appears balanced. Dazzlingly beautiful: Metallic, sequins, strass and glitter put sparkling highlights on shirts , dresses , skirts and blouses. Furthermore, typically female flounces and frills make the collection a very feminine one and create plenty of glamour. Checked shirts stay in fashion - especially the lumberjack shirt turns guys into real blokes. The Glencheck pattern is currently riding the trend wave too - get yourself the smart Brit style that Glencheck pours on! Colourwise you should go for orange and red this season - these are solitary colours, so make sure you combine them with subtle colours such as khaki, denim blue or grey - it makes the bright colours stand out extra strong.

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The appeal of French style is everlasting, and with good reason. Bringing together glamour, finesse and sophistication, the country is famed for its considered design approach that continually favours quality over quantity. Founded in , A. Since taking over in , creative director Virgil Abloh has almost single handedly transformed Louis Vuitton into a behemoth of hype, with harnesses, glow-in-the-dark bags and new suit cuts all making waves amongst streetwear aficionados. Arriving in the UK in , The Kooples made its name thanks to clever advertising campaigns that saw the label dress real life couples in their wares.

The French tuck, for those few unaware, is the style where one tucks the front of their shirt into their pants but not the back.

It features short hair all around the head and a noticeable fringe. Many people confuse this haircut with the Caesar cut. While they are similar, the main difference is that the French crop features a long fringe, while in a Caesar cut, the fringe is short.

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Thomas Paine. Paine's visionary call for republicanism and social welfare was generations ahead of its time when "Rights of Man" was published. Human rights originate in Nature, thus, rights cannot be granted via political charter, because that implies that rights are legally revocable, hence, would be privileges. Common Sense was published anonymously on January 10, , at the beginning of the American Revolution, and became an immediate sensation.

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Went first to the Starbucks across the street, and it was crowded and seemed more pretentious than I am used to in Manhattan. Went over to Aroma, and, Whoa! I am converted. This is a delightful shop with a cool clientele, cozy atmosphere and superior drinks. I will stop there every chance I get. You're wanting some caffeine.

French Translation of “cool” | The official Collins English-French Dictionary online. Over French translations of English words and phrases.

А что по этому поводу думает Энсей Танкадо. - Я ничем не обязан мистеру Танкадо. Он зря мне доверился. Ключ стоит в сотни раз больше того, что он платит мне за его хранение.

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Вот почему я скачал на свой компьютер его электронную почту. Как доказательство, что он отслеживал все связанное с Цифровой крепостью. Я собирался передать всю эту информацию в прессу. Сердце у Сьюзан бешено забилось.

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 Вы не знаете, кто он. - Какой-то турист. - Вы уверены.

Затем он сел за письменный стол и начал их допрашивать, как школьников, вызванных в кабинет директора, а они по-прежнему стояли.

Соши смотрела на монитор и читала вслух: - В бомбе, сброшенной на Нагасаки, использовался не плутоний, а искусственно произведенный, обогащенный нейтронами изотоп урана с атомным весом 238. - Черт возьми! - выругался Бринкерхофф.  - В обеих бомбах уран. Элементы, ответственные за Хиросиму и Нагасаки, - оба являются ураном.

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Согласно расписанию, в полночь должен был заступить на двойную смену новый сотрудник по имени Зейденберг. Чатрукьян еще раз обвел глазами пустую лабораторию и нахмурился.  - Где же он, черт возьми. Глядя на оживающий монитор, он подумал, известно ли Стратмору, что в лаборатории систем безопасности нет ни души. Подходя к шифровалке, он успел заметить, что шторы кабинета шефа задернуты. Это означало, что тот находится на рабочем месте. Несмотря на субботу, в этом не было ничего необычного; Стратмор, который просил шифровальщиков отдыхать по субботам, сам работал, кажется, 365 дней в году.

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Сьюзан осторожно приоткрыла дверь и посмотрела на глянцевую, почти зеркальную стену шифровалки. Узнать, следит ли за ней Хейл, было невозможно. Нужно быстро пройти в кабинет Стратмора, но, конечно, не чересчур быстро: Хейл не должен ничего заподозрить.

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