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Key quotes from the woman in black book

Daniel Radcliffe stars in 'The Woman in Black' as Arthur Kipps, an attorney who winds up smack in the middle of a terrifying mystery in a small town. Not surprisingly, some of the best quotes in 'The Woman in Black' come from Radcliffe. This list includes many of the most memorable lines from the film. If you have a favorite, by all means, vote it up!

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SEE VIDEO BY TOPIC: Learn English Through Story ★ The Woman In Black by Susan Hill

Useful Quotes for the Woman In Black Themes

This essay is to be used by those who are studying the play, or want to think about the work after having seen it. In discussing the drama, It does contain spoilers that may ruin the suspense for those who have not yet seen it. The success of the tale is largely based on its simple nature, combined with the horror and Gothic elements that have the ability to scare and create suspense.

Many students have to study either the play or the novel in school for a variety of different creative exams. The Woman In Black Revision Notes is designed to get you thinking about the play in relation to both of these exam specifications.

Please note however that different exam boards require different levels of information. This guide is designed to be a generic accompaniment for a variety of different courses, and should be used alongside the play the stimulate relevant questions, either before seeing the play or after.

Looking at both the play and the novel it would be wise to first consider the context of the piece, in both the theatrical and wider literary context. She aimed to write a short ghost story for which there would be no clear explanation, evoking the rules of classical ghost stories by having a humane figure appearing at regular intervals. Hill wanted to keep the gothic tradition firmly in mind throughout, which she achieves due to the setting and isolation of many of the key places, such as Eel Marsh House.

Isolationism, especially within the countryside is a typical setting for a Gothic story, and Hill uses this to her advantage throughout most of her work. The piece achieves recognition as a short story as the suspense is drip fed to the reader for maximum dramatic potential.

The style of the play in particular is an interesting area to consider. Many essays will ask you to analyse HOW the author creates tension rather than WHY so it is important to look at what methods are used throughout. This means that instead of appearing thoroughly realistic or naturalistic, the piece asks you to use your imagination to add certain elements to the drama. For example, rather than having a lot of actors playing each of the roles, Hill chooses to just use two actors who each play a number of different roles throughout.

Characters are introduced and maintained through slight changes to costume, accent and posture, and it is always clear which character is being portrayed. Props and set are used in the same way; the trunk becomes the horse and cart for example, and the audience suspend their disbelief and imagine much of the surroundings.

One of the most effective uses of this is with the dog, who does not exist in any form. Both actors effectively mime its presence, and the audience believes they can see it onstage. Much of this style is created throughout the long opening scene where much of the story is set up. Meta-theatre reflects the theatricality of the situation onto the audience, allowing them to be aware of the creation of drama within the piece.

Arthur Kipps asks the Actor to put on the play by reading his memoirs and sharing his story at the beginning of the piece, making the audience aware that it is a piece being presented for the stage. What we then watch as an audience is two characters in a play putting on a performance for themselves, and so it is the performance aspect as well as the plot itself that we are examining. This convention takes a while to set up, and drifts in and out in the first Act.

This style is of paramount importance to the theatricality of the piece as a whole, and is necessary for the theatrical effects to be achieved.

Once the play has set up the narrative frame, the ghost story plot begins to unravel. Sticking firmly within the conventions of the short ghost story, Hill drip feeds information to the audience, allowing suspense to be created. We discover each new piece of information at the same time as Kipps, so we feel part of the overall journey. Many more characters are spoken of than appear within the play, which is a feature of the short ghost story. Attention has to be payed to the names and locations mentioned in order to fully grasp the world that Kipps is entering into.

Alice Drablow is one of the main protagonists, as it is her death that sends Kipps to Eel Marsh House in order to settle the estate. The Woman in Black features throughout the play in both spoken and physical form, and her appearance acts as an omen for the death of a child. The townspeople are ever present, although rarely make an appearance onstage, but their fascination with the legend helps build the dramatic tension throughout.

Each of the characters in Crythin Gifford have a different story to tell that adds to the patchwork of information Kipps and the audience comes to know. His initial scepticism is continually challenged, until the end of the play where he himself falls victim to the curse. Within the GSCE drama syllabus, one of the most common questions to ask is how tension and suspense are created onstage.

We have already looked at the style and form of the play in relation to how the story unfolds, so it is important to look at the specific elements of theatricality and effects used to create and maintain the atmosphere. The play is over 25 years old, and rather than using modern technology to create effects, the play remains simple and true to the original style. With audience members more accustomed to big-budget films which have many more tools at their disposal, the play is still able to create suspense in a live environment.

Lighting: Lighting plays a key part in creating suspense within the play. The use of Gobos project different locations onto the stage, such as Eel Marsh House, which moves the action effortlessly from one location to the next. The stage is always kept at a minimum level of darkness, so the whole playing space is never fully visible. The use of tight spotlights focus the audience on particular objects, such as the rocking chair or door handle, and the audience become aware that something is about to happen.

The frequent use of blackouts again controls the suspense, as at times nothing at all can be seen onstage directly after a moment of heightened drama.

Coloured lighting is rarely used within the play, creating a realistic atmosphere for each location. Sound effects: Horror relies a lot on things that go bump in the night, and this play is no different. Loud noises and screams happen frequently, often as if from nowhere.

Although this tends to instill nervous laughter in many audience members, the sudden loud noises enhance the experience for both the characters and audience. Slamming doors is a repeated theme, along with the sound of the rocking chair. The director uses the sound to build up throughout a scene, getting louder towards a climax. In most cases, the audience are aware that the sound has something to do with the Woman, and as Kipps begins to follow it the source of the sound is slowly revealed.

The sound leads much of the action, and is used to create different atmospheres, such as the village pub or the horse and cart. Sound is used to both scare and create atmosphere, adding to the overall effectiveness of the play.

Set: The set is surprisingly simple, and as already discussed, uses small items to play a variety of different things. The house set is only revealed halfway through the play, as Kipps begins to explore Eel Marsh House.

The use of a scrim or gauze is prevalent to this effect, as it allows the set to vanish and appear when necessary. Made of a light translucent material, this curtain hangs in front of the set, making whatever is behind it only visible when light is brought up behind it. When light shines on the front of the curtain, anything behind it cannot be seen.

This is used to great effect to reveal the staircase and nursery scenes quickly and efficiently, appearing as if from nowhere. Surprise: Many surprising elements keep the audience on the edge of its seat, never allowing them to relax. The Woman in Black appears regularly as if from nowhere, at different areas of the stage.

In doing so, the audience immediately feel part of the action, and feel constantly aware that someone may be behind them. Just as the secret is only revealed towards the end, the surprises continue right until the final scene, maintaining suspense and interaction.

For information on the Movie version of The Woman in Black, click here to be taken to the official website. This is a very good website when studying for your GCSE. It helped me a lot and by putting this content into your own words you can surely get an A grade. Everyone wants an A right?!

This really helped me within my exam and i got the best grade possible!!! This is absolutely brilliant advice. I am doing my GCSEs a this was extremely helpful, thank you xxx. Background and Context Looking at both the play and the novel it would be wise to first consider the context of the piece, in both the theatrical and wider literary context.

Would the piece be as effective if it were set in the modern day? What elements of the stage production let us know which period the play is set? Analyse where the action is set. Eel Marsh House is isolated. The theatre where The Actor meets Kipps is isolated.

The causeway is isolated. How does the play maintain this sense of atmosphere with just two actors onstage? Style The style of the play in particular is an interesting area to consider. Discussion Points: Would the play be more effective with more actors portraying each of the parts?

What do you think would be lost? How does the piece engage us using only two actors? What is meta-theatre and how is it used within the play? If you were adapting the novel for the stage, what would you do? Plot Once the play has set up the narrative frame, the ghost story plot begins to unravel. Discussion Points Highlight the significant plot details, and how each one is related to the audience.

Which character s hold most of the information? Hot seat each of these characters and quiz them on particular plot points. Theatricality Within the GSCE drama syllabus, one of the most common questions to ask is how tension and suspense are created onstage. Discussion Points How do the production elements come together to create suspense and drama? Which element, if any, is the most important? If you were directing the play, what more could be done to make it feel scarier?

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The Woman in Black by Susan Hill

JavaScript seems to be disabled in your browser. For the best experience on our site, be sure to turn on Javascript in your browser. I like to look about me at the sky above my head, whether there are moon and stars or utter darkness, and into the darkness ahead of me; I like to listen for the cries of nocturnal creatures and the moaning rise and fall of the wind… 1. It's hard not to be affected by the sounds of nature, but you don't have to go on forever, Arthur.

These notes were contributed by members of the GradeSaver community. A wistful remembrance from a much older Kipps who takes the time to interrupt the flow of the narrator with an observation that expands upon the changes that have been made to his character since the events in the novel he is narrating took place.

Jennet: [voiceover, echoing in Eel Marsh House] I will never forgive you for letting my boy die. I will never forgive. Never forgive. Joseph Kipps: [referring to ghostly apparition in the distance] Daddy, who's that lady?

The Woman in Black Movie Quotes

Arthur is the main character and the narrator. In the first and last chapters we see him as a man approaching old age. The youthful Arthur Kipps is a privileged, well-educated, ambitious, adventurous, impatient, arrogant, brave and foolhardy. Therefore allowing the reader to identify with the character. After the death of Stella and his baby he is a broken man. Samuel Daily is a big, beefy local business man in Crythin Gifford. He is successful and not embarrassed by his wealth; which annoys other local businessmen.

The Woman in Black - Illustrating and Supporting Points

Even though Keckwick is a tight-lipped kind of fellow, it must still be hard on Arthur to see him go. The empty and lonely surroundings at Eel Marsh House are starting to get to Arthur after he spends a while there alone. Keckwick himself is no stranger to isolation and does not wish this upon any other, as shown by his kindness here to Kipps. There was no visitor—or at least no real, human visitor—no Keckwick. Arthur is even interested in the company of Keckwick, a man who barely speaks, suggesting sheer desperation for someone to be around him, to reassure him and rescue him from his isolation.

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This essay is to be used by those who are studying the play, or want to think about the work after having seen it. In discussing the drama, It does contain spoilers that may ruin the suspense for those who have not yet seen it. The success of the tale is largely based on its simple nature, combined with the horror and Gothic elements that have the ability to scare and create suspense. Many students have to study either the play or the novel in school for a variety of different creative exams.

The Woman in Black Quotes

A quote can be a single line from one character or a memorable dialog between several characters. Please make your quotes accurate. Quotes will be submitted for approval by the RT staff. Top Box Office.

I had always known in my heart that the experience would never leave me, that it was now woven into my very fibers, an inextricable part of my past, but I had hoped never to have to recollect it, consciously, and in full, ever again. Like an old wound, it gave off a faint twinge now and again, but less and less often, less and less painfully, as the years went on and my happiness, sanity and equilibrium were assured. Of late, it had been like the outermost ripple on a pool, merely the faint memory of a memory. Now, tonight, it again filled my mind to the exclusion of all else. I knew that I should have no rest from it, that I should lie awake in a chill of sweat, going over that time, those events, those places.

The Woman in Black Exam Revision

T his is a ghost story, so we start with the storyteller. Literary critics rarely use this last term, preferring to talk of the "narrator". But when it comes to hauntings this traditional description is fitting. Arthur Kipps is giving us a tale that he is condemned by his own memories to tell. When the novella opens, he is a man in late middle age, surrounded by adult stepchildren at Christmas. Naturally they begin to tell ghost stories: Christmas is the time for this, when the year is darkest and family or friends are gathered together to be entertained.

The Woman in Black by Susan Hill (Book Analysis): Detailed Summary, Analysis of the novel, including tips on improving your grade and key quotations.

When you write essays for English literature, you are expected to support your points with convincing evidence. This evidence can be provided either by making specific reference to moments in the text, or it can appear in the form of direct quotations. Using the text to back up your argument is what makes your writing persuasive. Quoting and paraphrasing are techniques which also show how well you understand the text. While these skills are essential, they are by no means easy!

Fear is a human response to the threat of danger or harm. In this story there are different layers of fear and responses to it. In the first chapter, when Arthur Kipps is reminded of his ghost story, he runs to the garden, with his heart pounding.

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Arthur Kipps is the main character and narrator of the story. We see him as a contented man at the start of the novel, but he is haunted by memories of his past.

Никто никогда не позволял себе говорить с заместителем директора АНБ в таком тоне. - Сьюзан, - проговорил он, стараясь сдержать раздражение, - в этом как раз все. Мне было нужно… Но тигрица уже изготовилась к прыжку. - В вашем распоряжении двадцать тысяч сотрудников. С какой стати вы решили послать туда моего будущего мужа.

ОБЪЕКТ: РОСИО ЕВА ГРАНАДА - ЛИКВИДИРОВАНА ОБЪЕКТ: ГАНС ХУБЕР - ЛИКВИДИРОВАН Тремя этажами ниже Дэвид Беккер заплатил по счету и со стаканом в руке направился через холл на открытую террасу гостиницы. - Туда и обратно, - пробормотал. Все складывалось совсем не так, как он рассчитывал. Теперь предстояло принять решение. Бросить все и ехать в аэропорт. Вопрос национальной безопасности. Он тихо выругался.

 А Фонд электронных границ будет праздновать победу, - побледнела Сьюзан. - Фонд понятия не имеет о том, чем мы тут занимаемся, - презрительно бросил Стратмор.  - Если бы они знали, сколько террористических нападений мы предотвратили благодаря тому, что можем взламывать шифры, они запели бы по-другому. Сьюзан была согласна с этим, но в то же время прекрасно понимала: Фонд электронных границ никогда не узнает, насколько важен и нужен ТРАНСТЕКСТ.

Comments: 4
  1. Gugore

    Useful phrase

  2. Sakora

    It is interesting. You will not prompt to me, where to me to learn more about it?

  3. Faunos

    You commit an error. Let's discuss it.

  4. Kajirg

    Do not take in a head!

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