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The woman in black quotes and analysis

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SEE VIDEO BY TOPIC: Susan Hill's 'The Woman in Black': Chapter 11 & 12 Analysis

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SEE VIDEO BY TOPIC: The Woman in Black [2b]: Characters - Unit 1 (English Literature)

Useful Quotes for the Woman In Black Themes

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See our User Agreement and Privacy Policy. See our Privacy Policy and User Agreement for details. Published on May 8, SlideShare Explore Search You. Submit Search. Successfully reported this slideshow. We use your LinkedIn profile and activity data to personalize ads and to show you more relevant ads. You can change your ad preferences anytime. Woman in Black - Revision I.

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I am so grateful for coming upon your training techniques! Show More. Dayna Tye , Student. No Downloads. Views Total views. Actions Shares. Embeds 0 No embeds. No notes for slide. Woman in Black - Revision I 1. Why study? This will be on The Woman in Black. This will be on The book in the exam..

Students, please note There are marks for this. I love traditional English, classic, ghost stories, particularly Victorian ghost stories which are virtually always dependent upon atmosphere I wanted to see if I could take all the ingredients of those classic ghost stories and rework them.

The first thing was to make a list of what the ingredients of the classic English ghost story are. You should have at least 5. Feedback What elements of a classic ghost story are apparent?

The manuscript tells the story of how the young governess is hired by a man who has found himself responsible for his niece and nephew after the death of their grandparents who were raising the children after their father died.

He lives in London and has no interest in raising the children. The boy, Miles, is attending a boarding school whilst his sister, Flora, is living at the country house in Essex. She is currently being cared for by the housekeeper, Mrs. The governess's new employer gives her full charge of the children and explicitly states that she is not to bother him with communications of any sort.

The governess travels to her new employer's country house and begins her duties. Miles never speaks of the matter, and the governess is hesitant to raise the issue. She fears that there is some horrid secret behind the expulsion, but is too charmed by the adorable young boy to want to press the issue. Shortly thereafter, the governess begins to see around the grounds of the estate the figures of a man and woman whom she does not recognize. These figures come and go at will without ever being seen or challenged by other members of the household, and they seem to the governess to be supernatural.

She learns from Mrs. Grose that her predecessor, Miss Jessel, and Miss Jessel's illicit lover Peter Quint both died under curious circumstances. Prior to their death, they spent most of their time with Flora and Miles, and this fact takes on grim significance for the governess when she becomes convinced that the two children are secretly aware of the presence of the ghosts.

They notice and go to find her. The governess and Mrs. Grose find her in a clearing in the wood, and the governess is convinced that she has been talking to Miss Jessel. When Flora is forced to admit this, she demands to never see the governess again.

Grose takes Flora away to her uncle, leaving the governess with Miles. That night, they are finally talking of Miles' expulsion when the ghost of Quint appears at the window. The governess shields Miles, who screams at her as he attempts to see the ghost. The governess tells him that he is no longer under the control of the ghost, and finds that Miles has died in her arms.

Victorian gothic ghost stories.. Have you got all of these from our work so far? The isolated location 2. The growing unease of the protagonist 4. The use of women and children 5. The sightings and the physical appearance of the ghost 6. A haunted house 7. Madness 8. A curse 9. Revenge Superstition Darkness Death What do these elements add to the story? He signposts the reader when something bad is about to happen.

The 1st person narrator 3. Research the time that Susan Hill set her book. There are many reasons she chose this period that have a direct bearing on the plot. Find out at least FIVE reasons that she chose to set her book in this time period. Some examples: technology, women, Clean Air Act etc It seems unusual because it introduces characters and a setting that we do not meet again. Find two quotes that show this.

And then, they say, no spirit dare stir abroad. The nights are wholesome. Then no planets strike, No fairy takes, nor witch hath power to charm, So hallowed and so gracious is that time. The appearance of the ghost indicates to them and to the audience that there is something wrong in Denmark.

One of the watchmen — Horatio — sees the ghost as an ill omen boding violence and turmoil. The ghost does not speak and seems to disappear when the cock crows. Then, Marcellus says the speech above. Horatio is later proved to be right — and the appearance of the ghost does foreshadow the later tragedies of the play.

The Woman in Black Quotes

Fear is a human response to the threat of danger or harm. In this story there are different layers of fear and responses to it. In the first chapter, when Arthur Kipps is reminded of his ghost story, he runs to the garden, with his heart pounding. Susan Hill uses these physiological manifestations of fear throughout the book. When Arthur talks to Mr Jerome about seeing the woman in black in the graveyard, the man clutches at his wrist and seems about to collapse.

Daniel Radcliffe stars in 'The Woman in Black' as Arthur Kipps, an attorney who winds up smack in the middle of a terrifying mystery in a small town. Not surprisingly, some of the best quotes in 'The Woman in Black' come from Radcliffe. This list includes many of the most memorable lines from the film.

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The Woman in Black by Susan Hill

Literary critics rarely use this last term, preferring to talk of the "narrator". But when it comes to hauntings this traditional description is fitting. Arthur Kipps is giving us a tale that he is condemned by his own memories to tell. When the novella opens, he is a man in late middle age, surrounded by adult stepchildren at Christmas. Naturally they begin to tell ghost stories: Christmas is the time for this, when the year is darkest and family or friends are gathered together to be entertained. For the classic ghost story is a performance. Some of the best ghost stories — The Turn of the Screw is the most famous example — begin with this situation: a person telling a story to a group of rapt listeners. The master of the ghost story, the Cambridge don MR James , used to read his latest compositions out loud to friends before publishing them.

The Woman in Black Movie Quotes

Suddenly conscious of the cold and the extreme bleakness and eeriness of the spot and of the gathering dusk of the November afternoon, and not wanting my spirits to become so depressed that I might begin to be affected by all sorts of morbid fancies, I was about to leave […] But, as I turned away, I glanced once again round the burial ground and then I saw again the woman with the wasted face, who had been at Mrs. Drablow's funeral. It was one of what I can only describe—and the words seem hopelessly inadequate to express what I saw—as a desperate, yearning malevolence; it was as though she were searching for something she wanted, needed— must have , more than life itself, and which had been taken from her. And, toward whoever had taken it she directed the purest evil and hatred and loathing, with all the force that was available to her.

Arthur Kipps is the main character and narrator of the story. We see him as a contented man at the start of the novel, but he is haunted by memories of his past.

JavaScript seems to be disabled in your browser. For the best experience on our site, be sure to turn on Javascript in your browser. I like to look about me at the sky above my head, whether there are moon and stars or utter darkness, and into the darkness ahead of me; I like to listen for the cries of nocturnal creatures and the moaning rise and fall of the wind… 1.

The Woman in Black - Illustrating and Supporting Points

Answer the following questions carefully and be prepared to share your ideas with others in your class. There are a number of a good resources on this site and although written in a colloquial way, will provide you with some additional revision. We agreed that this is a landmark chapter as this is the first time that Arthur sees the Woman in Black. However, towards the end of it, and on hearing some slight rustle behind me, I half-turned , discreetly, and caught a glimpse of another mourner, a woman, who must have slipped into the church after we of the funeral party had taken our places and who stood several rows behind and quite alone, very erect and still, and not holding a prayer book.

SEE VIDEO BY TOPIC: The Tragic Horror of THE WOMAN IN BLACK

When you write essays for English literature, you are expected to support your points with convincing evidence. This evidence can be provided either by making specific reference to moments in the text, or it can appear in the form of direct quotations. Using the text to back up your argument is what makes your writing persuasive. Quoting and paraphrasing are techniques which also show how well you understand the text. While these skills are essential, they are by no means easy!

Jennet: [voiceover, echoing in Eel Marsh House] I will never forgive you for letting my boy die. I will never forgive. Never forgive. Joseph Kipps: [referring to ghostly apparition in the distance] Daddy, who's that lady? Joseph Kipps: [describing picture-drawing] That's me, that's Nanny, that's Mummy, that's you Daily: It's not natural to lose someone so young. But if we open the door to superstition, where does that lead?

The house, as far as the reader can tell, is somewhere in the far north-east of England, on the coast. There is no specific location provided by Hill in the novel.

These notes were contributed by members of the GradeSaver community. A wistful remembrance from a much older Kipps who takes the time to interrupt the flow of the narrator with an observation that expands upon the changes that have been made to his character since the events in the novel he is narrating took place. The last few words of this quote provide an ominous sense of foreshadowing that tells the reader they should be prepared to find exactly what happened to the narrator to cause another person to take the blame. Another bit of foreshadowing as Kipps reveals that he is intensely aware of the power of courage. The reader learns from this quote that courage is going to be required and there is within this admission more than a little sinister expectation of exactly what will be faced that requires such courage.

I had always known in my heart that the experience would never leave me, that it was now woven into my very fibers, an inextricable part of my past, but I had hoped never to have to recollect it, consciously, and in full, ever again. Like an old wound, it gave off a faint twinge now and again, but less and less often, less and less painfully, as the years went on and my happiness, sanity and equilibrium were assured. Of late, it had been like the outermost ripple on a pool, merely the faint memory of a memory. Now, tonight, it again filled my mind to the exclusion of all else.

Even though Keckwick is a tight-lipped kind of fellow, it must still be hard on Arthur to see him go. The empty and lonely surroundings at Eel Marsh House are starting to get to Arthur after he spends a while there alone. Keckwick himself is no stranger to isolation and does not wish this upon any other, as shown by his kindness here to Kipps.

Arthur is the main character and the narrator.

Сьюзан отвернулась. - Не имеет значения. Кровь не. Выпустите меня отсюда. - Ты ранена? - Стратмор положил руку ей на плечо.

Сейчас. Джабба тяжко вздохнул. Он знал, что Фонтейн прав: у них нет иного выбора. Время на исходе. Джабба сел за монитор. - Хорошо.

 Сьюзан, - позвал он, задыхаясь.  - Ты должна помочь мне выбраться отсюда. Она ничего не понимала. Все это было лишено всякого смысла.

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